Sunday, January 15, 2017

Touchstones for Life: the Sigurd Olson Nature Writing Award



Kurt Fausch receiving the Sigurd Olson Nature Writing Award from Mark Peterson, Director of the Sigurd Olson Environmental Institute at Northland College, Ashland, WI, October 2016
_________
I have never forgotten the sound of the loons, and of waves lapping ashore at night just before one drifts off to sleep. I grew up making annual peregrinations between the suburbs of the megalopolis of Los Angeles where we lived and went to school, and north central Minnesota where we spent summers building a cabin on a small piece of shoreline of a pretty large lake. My parents were natives of the Land of 10,000 Lakes, and my mother loved lakes dearly. They both knew that we all needed respite from the choking smog and frenetic pace of southern California. A clear memory is sleeping on a cot in the walkout basement, hearing the haunting high forlorn calls of loons, and looking out across the bay to see the moon’s reflection being jostled in the waves. The sound of those waves is the last thing you hear before sleep swallows consciousness.
Kurt Fausch on the bench at the Listening Point cabin
Back in California one year, when I was about 13, I noticed a book on my parents’ shelf titled Listening Point . I had never heard of Sigurd Olson, butI was immediately attracted to the beautiful drawings that graced each chapter heading – pictures of canoes and campsites, loons and portages, and long vistasdown lakes in the border country between northern Minnesota and the vast Canadian Shield to the north. We had visited that country for a week every year, because my father’s sister owned a small cabin perched on the north shore of Lake Superior, a steep, rocky shoreline dashed by waves and shaded closely by spruce and fir. From there we ventured berry picking and fishing in the lakes that bordered the Boundary Waters Canoe Area (BWCA). I fell in love with the cold, crisp air and the stark rocks and waters of this lonely land, so recently scoured by glaciers which left many deep cold lakes, and swift streams tumbling south into the largest lake in the world.
Olson wrote not only of the adventure of canoe trips deep into this wilderness, but also of reverence for this land and these lakes, and why they are important for the human spirit. My first reading of Listening Point , and then other books of his like Runes of the North and The Singing Wilderness, left me entranced with the idea of canoeing in this vast wilderness, traveling along routes plied by voyageurs 300 years earlier. The romance of paddling through these chains of lakes, camping along their shores and fishing in pristine waters led me to work for an entire year at age 15 to earn enough to buy my own canoe. I papered my bedroom wall with the entire set of maps of the BWCA, and pored over the canoe routes through the chains of lakes. I knew that “when I grew up”, I wanted to study fish and become a fisheries biologist. Lakes in northern Minnesota would be the perfect place.
  Sigurd Olson’s cabin at Listening Point
My chance to start this adventure came in 1968. On our way to my aunt’s cabin on “the shore,” we visited the campus of the University of Minnesota in Duluth (UMD), where my older brother was considering attending college. He chose elsewhere, but I knew that Duluth was where I wanted to attend college when I came of age. After my sophomore year at UMD, I landed a summer job as a fisheries biology technician in the BWCA. My partner and I were responsible for surveying the fish and habitat in about 30 different lakes. We spent an entire summer traversing those waterways with boats and canoes, setting nets to sample fish, measuring water chemistry, and mapping shoreline habitat. The next year I did similar work on Lake Superior and several large lakes, focusing primarily on lake trout. I thought I had died and gone to heaven.

And in those same years, I purchased and read all nine of Olson’s books, seeking in his writings a deeper understanding of the history and meaning of this wilderness and its lakes and rivers. In my reading since, I learned that Olson was a contemporary of Aldo Leopold, and indeed turned down a chance for further graduate study with him to earn a Ph.D. Instead, Olson returned to the North Country, taught at a junior college, and focused on advocating for this wilderness and writing essays about its values. He was at the forefront of those who fought to prevent roads to every lake starting in the 1920s, and in the 1940s to prevent aircraft flights that would bring anglers and canoeists deep into the wilderness. He knew from long experience as a canoe guide starting in the early 1920s that this wilderness had great value for the human spirit, but that these values could only be accessed through the hard work of paddling and portaging and camping in primitive places. He saw doctors and businessmen and lawyers and judges transformed from their harried state to people who could appreciate solitude and sunsets, and who pondered again the ancient ideas that only wilderness can evoke.

One day during my senior year in college I attended a talk on wilderness. I recall taking a seat near the back of an auditorium. Looking to the side, I was amazed to see sitting two seats away the man I recognized as Sigurd Olson, a man I would have given anything to talk to. Being rather shy, I didn’t say anything, but felt privileged just to be near him as we both listened to a talk that was probably like many he himself had given. I later realized that Sigurd Olson was in his late seventies then, and passed away six years later, while snowshoeing in the land he loved.

Kurt Fausch at Sigurd Olson’s Listening Point, near Ely, Minnesota I now realize that Sigurd Olson’s essays have always been a touchstone for me, and for the career that I myself have created as a fisheries ecologist. My opportunity to study fish was not in lakes, but in streams, and so I now have a deep love for both. My journey led me throughout much of the West, and to northern Japan. As a scientist, I have seen many rivers, learned their inner workings, and developed a philosophy about why they are essential for humans. But my recent reading of Olson’s early essays on the meaning of wilderness, unavailable to me during my college years, has revealed that he arrived at many of the same ideas far earlier than I. In fact, his idea that modern humans seek habitats like those in which early humans evolved may have formed the basis for some of the theories advanced by other scientists, on which my work is based.

On Earth Day 2016, the book I wrote, For the Love of Rivers , was honored with the Sigurd Olson Nature Writing Award. I am still utterly astounded by this. I can’t imagine a higher or more meaningful honor for my work. But only after re-reading Listening Point , and traveling back to Ashland, Wisconsin to speak and receive the award at the Sigurd Olson Environmental Institute at Northland College, did I realize how much the course of my entire career, and my approach to writing this book, were influenced by Olson’s essays and books. I even spent an entire year working with artist Kristine Mackessy to create the pen-and-ink drawings that grace the chapter title pages, showing her the images from Olson’s books as examples of what I sought.

Who knows how what one writes or speaks, or what actions one takes, will affect others? Every professor like me has the chance after a long career to see their legacy through students who were influenced by things they said or did – often not realizing what different messages each person would draw from one’s teaching, writing, or working. Sigurd Olson influenced several generations of people through his best-selling books during an era when the environment came to the fore, and influenced both presidents and policies that conserved many tracts of wilderness, including the BWCA Wilderness. But he also influenced me personally, and for that I am forever grateful. If the book I have written can influence someone else to seek their own path forward and cherish lakes and rivers, especially those in wilderness, then it will have been an amazing success.

©by Kurt D. Fausch, all rights reserved, 27 November 2016

Wednesday, October 21, 2015

Nakano’s Legacy

Twenty years ago now, in 1995, Shigeru Nakano embarked on research that would change the way scientists who study streams and rivers think about these ecosystems. Nakano used the bold approach of covering a small stream in Hokkaido, northern Japan, with mosquito netting stretched over a greenhouse frame to cut off the insects falling into the stream from the streamside (riparian) forest. It also stopped the flow of adult aquatic insects that were emerging from the stream from entering the forest. As I describe in For the Love of Rivers, the results were astounding. Nakano and his colleagues, and later other scientists in other regions, found that about half or more of the animals in the forest that depend on insects emerging from streams, like bats, birds, lizards, and spiders, disappeared when a critical part of their food supply was cut off. Likewise, when forest insects no longer fell into the stream, half the fish left.

Shigeru Nakano drowned in a tragic boat accident in Baja California in March 2000, while visiting field sites of another ecologist who was studying flows of insects to desert islands created by the rich sea wrack that washes up on beaches from the Sea of Cortez. I will never forget when I heard the news, and the trying weeks afterwards as the US Coast Guard and Mexican Navy searched for him without success. Many of our lives were forever changed by his loss, but our understanding of streams and their importance to landscapes and humans was also forever changed, and this brings me joy despite the loss.

Nakano’s work inspired many other river and stream ecologists to look more closely and delve more deeply into the unintended consequences of our human activities on streams and their riparian forests. Nearly every action we take in forests and grasslands, such as grazing cattle, cutting trees, mining metals, and spraying chemicals to kill insects or weeds can affect the flow of terrestrial insects that fall into streams and feed the fish. At the same time, nearly every action we take in streams, such as diverting water or straightening streams into ditches to speed flood waters away, can harm the immature invertebrates living on the stream bed and ultimately reduce the total amount of adult insects that emerge from the water surface and feed the animals that live along streams.

Every year the scientists who study streams gather at professional meetings to present their work to each other, meetings held by societies like the Society for Freshwater Science and the American Fisheries Society. This year, each of these meetings had whole sessions with titles like “Land-Water Interfaces” and “Cross-Ecosystem Resource Subsidies: From Land to Water and Back Again”. Scientists are working actively to understand, for example, how pollution and channelization of streams in urban areas affects these “subsidies” of insects that emerge from streams to riparian forests. Others want to know how wildfire in natural watersheds affects the flux of insects in both directions. It is clear that Nakano’s ideas, along with those of other scientists like Dr. Mary Power and her colleagues at UC Berkeley who came up with very similar conclusions at the same time, have continued to inspire a new generation of scientists to study the real importance of these stream-forest connections.

In the past few weeks, I have been corresponding with Dr. Yoshi Taniguchi, one of Nakano’s former students, about translating the title of For the Love of Rivers into Japanese. This is not easy, given the multiple meanings of this phrase in English. I also wrote him about how proud Shigeru Nakano would have been to see so many of his former students become accomplished scientists and continue to study how connected streams are to their surrounding landscapes. In return, I know that many of them still think and dream about Nakano, and gather strength and inspiration for continuing their work.

In the Drift

 We thank long-time SFS member and Colorado State University professor Kurt Fausch for taking time out to catch us up on his brand new book, ‘For the Love of Rivers’.  What appears to have happened here is that Kurt took a sabbatical leave from his post at Colorado State, spent several months in Writers’ Residencies at the Sitka Center for Art and Ecology and the H.J. Andrews Experimental Forest, both in Oregon, and came out on the other side with a book. As you might glean from its title, For the Love of Rivers is not just about the ecology of streams. In the words of OSU Press, it also ‘celebrates their beauty and mystery’. We are lucky to have caught up with Kurt to ask him some probing questions about this mystery...  (This blog was first published in the Society for Freshwater Science “In the Drift” newsletter, May 2015).
http://www.freshwater-science.org/Publications/Newsletter-In-The-Drift/ITD--Spring-2015.cfm#book

Streams of Consciousness



Books represent large undertakings. The writing process is arduous, the time lengthy, and the research often difficult, even dangerous. So what leads authors to pour their hearts and souls into such laborious work? Author Kurt Fausch joins us today to share what drove him to create his recently published book, For the Love of Rivers. Staying true to his scientific background, yet venturing into the connection between nature and emotion, Fausch offers his audience a book that reads much like a journey—and today, he invites us to come along.

-------------
Why would a scientist write about love for rivers? Don’t scientists normally stick to the facts?

I became a fish biologist, and later a professor of stream ecology, so that I could do the studies needed to provide answers for the field biologists and natural resource stewards who manage fish and the streams and rivers they inhabit. Along with teaching students about these ideas, and working together with graduate students and other researchers on these studies, this is really all I ever wanted to achieve.

Somehow, along the way, I became drawn into a deeper relationship with the streams and rivers I was studying, the colleagues I was working with, and the need to communicate both the science and these emotions to others.
 


In For the Love of Rivers: a Scientist’s Journey, I draw the reader into an international research collaboration with Japanese stream ecologist Shigeru Nakano and his colleagues.

http://osupress.oregonstate.edu/blog/streams-of-consciousness




Tuesday, October 20, 2015

Where Rivers Run in the Human Heart: a stream ecologist tells the story of his watery journey

It was the weekly Monday morning Stream Team seminar in the OSU Department of Fisheries and Wildlife. Room 32 in Nash Hall was packed. At the front stood guest speaker Kurt Fausch, looking the part of a lifelong field researcher, his casual, earth-toned clothes hanging loose and comfortable on his long, lanky frame. But he was about to reveal his alter ego as a philosopher of wild waters…. (First published on the Oregon State University blog “Terra: the power of research”, February 17, 2015)
http://oregonstate.edu/terra/2015/02/where-rivers-run-in-the-human-heart/

Scientists and Artists in Residency Together



So, a Scientist, an Artist, and a Writer Walk into a Forest... On a recent trip to the Cascade Head Experimental Forest, residents from the Sitka Center for Art and Ecology stood around a clump of moss, taking pictures, oohing and ahhing over its intricate details, pinching off pieces to study later, maybe to use in a drawing or a painting. The scientists in attendance, forest and stream ecologists, seemed less fascinated. They'd certainly seen plenty of moss up close before. But they watched the excited artists, interested in what they saw, how the artists looked at this thing that was so familiar to them. Later, the scientists tossed around terms as familiar to them as sibling names or state capitals. The artists interrupted, asked for definitions, explanations, scribbled the new information down for later use. It was a normal day at the Sitka Center, where artists and scientists live, learn and create together…. (First published on the Sitka Center for Art and Ecology website “Artist and Environmental Scientist Program”, Fall 2011.)